This past week, I gave up on the fast draft course I was taking. But since the course instructor was mostly absent, it wasn’t much of a loss, other than the thirty-five dollars I paid for it. I’d been hoping for some regular tips and encouragement on increasing writing speed and outwitting the editor; instead, we were all on our own, posting our daily page counts and wondering where the instructor was.
But everything is a learning experience, and I’m hoping I can try some fast draft writing on my own after Christmas, this time using the tips someone in the course posted from Rachel Aaron’s site that I’ve mentioned before.
I think another problem was that I may not have done enough brainstorming and research before I started writing Ygerna’s story. I realize that one of the principles of the fast draft method is not to look things up while you’re writing. Instead, you make a note of whatever it is you need to add later and just barrel ahead. But by the time I quit, it felt like every other sentence was a note to myself about something I either had to research or look up in the other two books to make sure I have everything consistent.
As a result, I was beginning to feel frustrated with the project. So I put it aside, temporarily, and now I am working on a novella / short novel version of short story I wrote many years ago, City of Glass. A lot of critique partners had told me that it didn’t work as a story, that it wanted to be longer, but I didn’t want to believe them. I always have so many projects going at any given time, after all. But after I decided to put Ygerna on a back burner for a while, I was going through my list of potential projects, and this one suddenly spoke to me. It’s a story about a glass-maker on Murano who makes a prince a glass slipper — and ends up with a marriage proposal. But since she has no interest in marrying some conceited noble, she has to figure out a way of getting out of the situation. It doesn’t help that the glass-makers of Murano are forbidden to leave Venice, for fear they might share trade secrets …
And now the writing is flowing again. I’m treating the old short story like an extended outline, adding all the parts all my writing friends said were missing, deepening the characterization, adding more detail. Until now, this version is coming in at about three times as long as the original story. And I’m having fun again!
Once I’m done with City of Glass, I’ll get back to Ygerna, but I don’t think I’ll experiment with fast drafting on that one anymore. The notes on the things I need to look up are often details I really need to know to continue with the story, not just window-dressing. TI will have to allow Ygerna whatever time it needs.
I hope everyone is winding up the year in style and has plenty of successes to look back on!

Ebook – Shadow of Stone. Book Two in the Pendragon Chronicles
Ebook – Yseult for Kindle
Free ebook version of my short story "Mars: A Traveler's Guide" on Smashwords
Looking Through Lace for Kindle
Story Collection: Dragon Time and other stories
The Future, Imperfect for Kindle
Contains my story "Exit Without Saving"
Contains my story "Looking Through Lace"
Contains my story (with Jay Lake) "The Big Ice"
Contains my story (with Jay Lake) "The Canadian Who Came Almost All the Way Back From the Stars"
Flamme und Harfe



Did the instructor ever turn up? … and … how very disrespectful of them!
Oh, she showed up about three times, only to tell us she was writing frantically and we should all be doing the same! Oh well, you live and learn …
I’d be asking for a refund. Shocking, taking your money for nothing effectively. Great to hear your enthusiasm Ruth. Have yourself a great Christmas. X
Ah, but we got did get the instruction files from her! As well as a couple of visits, after all. *g* I guess the hassle just isn’t worth the money to me, you know?
You have a wonderful Christmas too, Shah!
Sorry the fast track writing was a bit of a wash. I’m a very slow writer but I’ve found having very meticulous (and good) volunteer critiquer group is a tremendous help in speeding the second draft along. Our Minnesota writers’ group, MNSpec , does a bang up job with five different monthly critique groups running . I always push writers to join a critique group.
Cheers,
Terry Faust To Build a Blackbird Z is for Xenophobe
Ah, yes, agreed on the value of a good critique group! But I live in a country that doesn’t speak my native language, and the expat group I run (members from all over Europe) can only get together twice a year — and sometimes not even that! I mostly have to make due with online workshops for regular feedback.
All the very best, Ruth, as you look ahead to 2013. TTFN
Thanks, Steph, you too!