Book View Cafe Blog – Ursula Le Guin on Kazuo Ishiguro:
A wild country inhabited by monsters, an old couple who must leave their home without knowing exactly why, a sense that important things have been, perhaps must be, forgotten… Such images and moods could well embody a story about the approach of old age to death, and indeed I think that is at least in part the subject of the book. But so generic a landscape and such vague, elusive perceptions must be brought to life by the language of the telling. The whole thing is made out of words, after all. The imaginary must be imagined, accurately and with scrupulous consistency. A fantastic setting requires vivid and specific description; while characters may lose touch with their reality, the storyteller can’t. A toneless, inexact language is incapable of creating landscape, meaningful relationship, or credible event. And the vitality of characters in a semi-historical, semi-fanciful setting depends on lively, plausible representation of what they do and how they speak. The impairment of the characters’ memory in this book may justify the aimlessness of their behavior and the flat, dull quality of the dialogue, but then how is it that Axl never, ever, not once, forgets to address his wife as “princess”? I came to wish very much that he would.
Mr Ishiguro said to the interviewer, “Will readers follow me into this? Will they understand what I’m trying to do, or will they be prejudiced against the surface elements? Are they going to say this is fantasy?”
Well, yes, they probably will. Why not?
It appears that the author takes the word for an insult.
Read more at “Are they going to say this is fantasy?”.